Maxims in the artistic discourse of Olga Kobylyanska

The purpose of the article is to analyze maxims regulating family and domestic relations in artistic discourse prominent Bukovinian writer terms syntactic organization, verbal content semantic diversity. relevance scientific determined by need study individual manifestations Bukovіnian for formation a coherent cognitive-pragmatic concept her discourse. Research methods. In as main general methods analysis synthesis are used, well linguistic – descriptive, structural method component analysis. novelty research lies deepening O. Kobylyanska. addition, Kobylyanska's texts has not yet been subject Conclusions. Maxims autosemantic, relatively independent statements based on popular common sense, writer's intellectual level precedent phenomena. class consists paremias, which include author's modifications sayings folk mythologems maxims. function text separate statement or part context. Folk paremias phenomena form simple sentence. Author's can take identification sentences. Often, included constructions vocations, taking direct speech. We fix rhetorical question an exclamatory Kobylyanska, considerable group regulates household relations. Among them, certain thematic groupings be distinguished: instructive nature, about love, gender characteristics, women, married life etc.